Follows Edmond, a man recovering in a facility after taking a bad fall. He finds out that his son has sold his apartment, so he leaves with a nurse to her home so that he can reclaim his autonomy.

Terry is sleeping with his boss's wife Sylvia. One night, while in Terry's apartment, Sylvia witnesses a man assault a young woman on the road below. Not wanting to reveal her affair with Terry, she keeps quiet. Terry instead steps forward, trying to help nab the criminal. However, he never saw the suspect, and when his lies are uncovered, the police begin to suspect his motives.

William C. DeMille, Cecil B. DeMille's talented director brother, teamed with his favorite collaborator, scenarist Clara Beranger, for the 7-reel silent The Bedroom Window. Essentially a by-the-book mystery tale, the film is lifted from the ordinary by the expertise of DeMille and the charm of leading lady May McAvoy. She plays the daughter of a murder victim, while Ricardo Cortez co-stars as the Accused. Cortez is saved from the chair by his aunt Ethel Wales, a mystery writer. The real culprit is...well, keep your eye on the least likely, most cooperative member of the cast.

Deb, Joy, and Ananda are unhappy with their lives. While Joy's wife earns more than he does, Ananda‘s wife is a housewife and Deb is a kind of man who wants to sleep with any girl who catches his eye. Will their bedroom stories forever be the same or will they make an effort to get along well with each other?

The film is about Joy, Deb and Ananda. While Joy is a struggling actor and conducts workshops, Ananda works in an I.T. company and Deb is an actor. Joy's wife who is a fashion photographer runs the entire show as Joy hardly earns any money, Ananda's wife is a housewife and Deb is forever willing to sleep around with whoever catches his eye (in fact a new girl every day). However barring Deb, the rest of the couples don't share any intimacy at all.

Misunderstanding and small town prejudice lead to the tragic persecution of an ordinary local man who is a "loner".

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Breaking up is easy. Moving out is hard. Especially when there's a New York City apartment involved. After five years of ups and downs, an African American 30-something couple in a gentrifying Brooklyn neighborhood spends their final afternoon together arguing and remember better days, as one of them moves out and hopefully on with her life.

A cut-and-paste sexploitation movie in the vein of Al Adamson's other Stewardess movies using footage from the eurocrime thriller Der Arzt von St. Pauli (1968)

暂无剧情简介